ECA News Briefs

Hirshhorn Acquires Three Major Works by Yayoi Kusama, Announces 2020 Legacy Exhibition

The Smithsonian’s Hirshhorn Museum and Sculpture Garden announces “One with Eternity: Yayoi Kusama in the Hirshhorn Collection,” on view April 4 to Sept. 19, 2020. The exhibition debuts the museum’s new acquisitions by the Japanese artist Yayoi Kusama, including two of her renowned Infinity Mirrored Rooms. Building on the legacy of the museum’s 2017 blockbuster survey “Yayoi Kusama: Infinity Mirrors,” the forthcoming exhibition cements the enduring art-historical connection between the visionary artist and the Smithsonian’s national museum of modern art on the National Mall.

The exhibition illuminates Kusama’s seven-decade practice in the context of the museum’s recent acquisitions to the permanent collection, including two of her transcendent Infinity Mirrored Rooms and sculptures, including “Pumpkin” (2016) and “Flowers—Overcoat” (1964), an early painting and photographs of the artist. The Hirshhorn’s 2017 survey traveled to five North American art museums, introducing Kusama’s spellbinding visions to record audiences. Betsy Johnson, assistant curator at the museum, has organized “One with Eternity: Yayoi Kusama in the Hirshhorn Collection,” which will also consider the broader context of the artist’s life and practice.

“After a career spanning almost 80 years, Yayoi Kusama is one of the most influential working artists in the world,” said Hirshhorn Director Melissa Chiu. “Her artwork is inextricably linked with our museum’s history and mission: to present the most exciting art and artists of our time. This exhibition extends the impact of our 2017 Kusama survey and its blockbuster tour on our curatorial history. Acquiring two physically immersive Infinity Mirrored Rooms—her first and one of her most recent—positions the Hirshhorn as a permanent resource for art lovers and scholars to experience and study Kusama’s sublime practice.”

Among the new additions to the Hirshhorn’s permanent collection is the artist’s milestone immersive installation “Infinity Mirror Room—Phalli’s Field (Floor Show)” (1965/2017). The exhibition will also introduce one of Kusama’s most recent rooms, to be announced in early 2020.

The Hirshhorn Museum and Sculpture Garden welcomed almost 160,000 visitors to “Yayoi Kusama: Infinity Mirrors” between Feb. 23 and May 14, 2017, and a record 475,000 visitors to its building and sculpture garden during the same period—its highest spring visitation since the museum’s opening in 1974, doubling its attendance that year to 1.2 million. The touring exhibition welcomed more than 800,000 visitors to partner museums across the U.S. and Canada during the next two years. Additional records set by “Yayoi Kusama: Infinity Mirrors” include:

  • The hashtag #InfiniteKusama reached 93 million Twitter and Instagram accounts, with 355 million impressions during the Hirshhorn’s exhibition.
  • Visitors contributed approximately 750,000 dot stickers to “The Obliteration Room,” gradually transforming the original all-white space into a riot of color (watch the time-lapse video).
  • Trained guides led more than 10,500 members of school and community groups on exhibition tours, including special American Sign Language tours and “touch tours” for the visually impaired.
  • Nearly 100 visitors with mobility constraints were able to use virtual-reality (VR) headsets to experience VR versions of the rooms as part of Hirshhorn’s commitment to radical accessibility.
  • Seasonal attendance figures at four of the six museums (including the Hirshhorn) presenting the tour were among the highest in the institutions’ histories.

For more information on the Hirshhorn’s presentation of “One with Eternity: Yayoi Kusama in the Hirshhorn Collection” and #EternalKusama, visit: https://hirshhorn.si.edu/exhibitions/one-with-eternity-yayoi-kusama-in-the-hirshhorn-collection.

(via Hirshhorn Museum and Sculpture Garden. Image: Yayoi Kusama. Installation view of Infinity Mirror Room—Phalli’s Field,1965, in Floor Show, Castellane Gallery, New York, 1965. Sewn stuffed cotton fabric, board, and mirrors. Courtesy of Ota Fine Arts; Victoria Miro; David Zwirner. © YAYOI KUSAMA)