Gillespie Gallery of Art Hosts Visual Voices Artist Lecture Wickerham & Lomax: Supplementals, Collective Consciousness, and Communicable Diseases

By Editorial Team on October 15, 2019
Courtesy of Mason Exhibitions.
Artist Talk: Thursday, October 24 from 7:30pm to 9pm

About the Exhibition:
Mason Exhibitions is pleased to present Selection, an exhibition by Wickerham and Lomax, from October 7 – November 9 in the Gillespie Gallery of Art. For the first time since starting their collaboration almost a decade ago, the Baltimore-based duo present a cross section of their cooperative and multi-faceted studio practice. Paintings, sculptures and elements from previous installations are brought together in a single gallery, offering a unique opportunity to observe how their aesthetic intentions cross-pollinate between projects and reveal some of the major themes of their practice.

Wickerham and Lomax’s work is deeply immersed in the use of digital technologies. To produce their works they use a variety of techniques including digital photography and video, computer generated graphics (CGI), 3-d modeling software, and digital printing. From a research perspective, their practice is akin to an anthropological investigation of digital media’s effects on personal identity, relationships, social codes, and psychic formations. The artists’ are interested in the way physical and digital vocabularies interact and often employ materially unorthodox solutions to produce their objects including: frames for digital paintings that incorporate bird seed or tar and feathers; sculptural tableaux that incorporate digital photographs and collage elements; and photographic surfaces that are often punctured, harnessed, or adorned.

The exhibition’s title, Selection, is both literal and metaphorical. Beyond the act of choosing, in this case works for a retrospective exhibition, the term selection carries with it references to a diverse set of themes and conditions that are conceptually relevant to Wickerham and Lomax’s practice. These include: the biological processes of selection in which environmental and genetic influences determine the fitness of organisms and their evolution; digital editing techniques that isolate information for duplication, extraction or manipulation; and social media’s curatorial rituals of liking, friending, and similar mediated forms of individuation and belonging.

The artists explore the ritual aspects of self-expression and group dynamics in a collection of sculptural works, which include large-scale fraternity paddles styled in a BDSM-goth fashion and adorned with printed images of birds using bird houses, cages, and feeders. The works’ mixing of references to violent rites of passage, fashion expressive of outsiderness or sexual fetish, and imagery that shows the supplementing of another species through nourishment or confinement, suggest that all community activity, whether mainstream or marginalized, heteronormative or queer, is predicated on familiar codes of dominance and submission, attraction and exclusion, enhancement and restraint.

The artists further explore aspects of communal identity in a group of three sculptural tableaux from the project DUOX4Odell’s: You’ll Know if You Belong (2017). These works present monumental photographs of a black male figure styled in disco-futurist attire with silver makeup, bell bottoms, platform shoes and feathers. The images are printed double-sided on plexiglas and have areas of complete transparency outlined by silhouettes of dancing figures or palm trees. Two contain elegiac poems. Together the works act as a fictional but poignant eulogy to the community that inhabited Odell’s, a popular black Baltimore nightclub during the disco era. The monumental figures can be read as spectral emblems of the no longer existing dance club. They embody the projective power and performative pleasures of self-presentation with its’ emphasis on surfaces, poses, and fashions, while also suggesting a longing for an absent community of like-minded revelers.

The exhibition also includes a variety of the artists’ signature fetishistically embellished digital paintings, many of which challenge the expectations of traditional painting idioms such as the vanitas still-life and the self-portrait. In such works, the artists’ balance compositional restraints – such as the provisional display conventions of urban store windows (complete with neon border text and pegboard backgrounds), or the portrait restrictions of identifying documents, such as passport’s deadpan indexical format – against a profusion of digital objects, coded references, and (sub)cultural bricolage layered and strewn across the image surface. This formal tension between the banality of institutional or commercial structures, and the hyper-articulated lexicon of ephemera, text fragments, and hermetic images that populate their surfaces, point to the ways our digitally augmented identities and desires, which are often dictated by the conventions of technology, functionality, and commerce, also contain the potential for liberated forms of personalization, social engagement, and speculative world-building.

“Our work is made in discrete bodies but always with the memory of what we made before and how each body of work might live together in the future. Now that we have the opportunity at GMU, it will be exciting to see all the employed strategies at play; the evolution of visual tropes, the prioritization of the margins, and our interest in social forms creating new realities and contradictions.” – W&L

About the Artists:
Wickerham & Lomax is the collaborative name of Baltimore-based artists Daniel Wickerham (b. Columbus, Ohio, 1986) and Malcolm Lomax (b. Abbeville, South Carolina, 1986).

Recent exhibitions by Wickerham & Lomax include The Writers Room at the Reginald F. Lewis Museum, Baltimore, MD (2018); DUOX4Odell’s: You’ll Know If You Belong, commissioned by Neighborhood Lights, Light City, Baltimore (2017); Uncool at Terrault Contemporary, Baltimore (2016); Take Karaoke: A Proposition for Performance Art at Brown University, Providence, RI (2015); the Sondheim Prize Finalist Exhibition, Baltimore (2015); Girth Proof at Dem Passwords, Los Angeles (2015); the premiere of Encore in the AFTALYFE at the Artists Space booth, Frieze NY 2014; and BOY’Dega: Edited4Syndication for New Museum’s First Look series; DUOX4Larkin, Artists Space, New York (2012). Wickerham & Lomax are the 2015 winners of the $25,000 Janet and Walter Sondheim Prize.

About Mason Exhibitions
Mason Exhibitions is a multi-venue forum dedicated to displaying works of art that advance research, dialogue, and learning about global social issues. Located on the campuses of George Mason University, Mason Exhibitions is a partnership between Mason’s School of Art (SOA) and Provisions Research Center for Arts and Social Change located on the Fairfax campus. The Gillespie Gallery offers exhibitions of emerging and established contemporary artists, MFA thesis exhibitions, and a semi-annual senior exhibition. Exhibitions are also presented on the Fairfax Campus in Buchanan Hall’s Atrium Gallery, The Fenwick Library’s Lobby Gallery and Special Collections Gallery, as well as displays throughout the campus featuring works from the University Art Collection. The Hylton Performing Arts Center on the Manassas Campus houses the Buchanan Partners Gallery. In 2020, Mason Exhibitions will open a new gallery and film screening venue in Arlington, VA adjacent to the Virginia Square Metro Station. Off the Wall, the School’s annual fundraising takes place in the Spring.

Paid parking: Shenandoah Parking Deck
Hours: Monday-Saturday, Noon – 4pm, or by appointment
All events are free and open to the public.

George Mason University School of Art, in the Art and Design Building, 4400 University Drive Fairfax, VA.