Claudia Rousseau, Ph.D.

Archives for Claudia Rousseau, Ph.D.

Born and raised in New York City, Dr. Rousseau completed a B.A. in Art History at Hunter College (C.U.N.Y.), and her M.A. and Ph.D. at Columbia University in New York. Prior to coming to the DC area in 2001, she lived and worked as a curator, critic and translator in Santiago de Chile in South America for about three years, and in San Salvador, El Salvador for two in the early 1990s. She was a Guest Professor at the Freie Universität in Berlin, as well as having taught study abroad programs in Italy. Currently, she is Professor Emerita of Art History at Montgomery College. An internationally published scholar of Renaissance and Modern art, she is an active critic and editor. Dr. Rousseau has curated many contemporary art exhibits at venues in the Washington DC region, and she continues to serve on the Public Arts Trust Steering Committee of the AHCMC, as well as the Art Review Panel of the Maryland National Park and Planning Commission for Public Art. Since 2010 she has been a juried member of the prestigious International Association of Art Critics (AICA) for her writing on art.

Reviews
East City Art Reviews—The Trawick Prize: Bethesda Contemporary Art Awards 2020

East City Art Reviews—The Trawick Prize: Bethesda Contemporary Art Awards 2020

If you google the phrase “what is art” or “what is the purpose of art” you get a plethora of responses. The work of the winners and finalists of this year’s Trawick Contemporary Art Awards competition generated these questions in my mind as fairly all of the work in the exhibition, now at Gallery B in Bethesda until the end of the month, expresses political opinions and social themes with varying degrees of aesthetic interest. Read More
Reviews
East City Art Reviews—Andrew Sovjani, Pages & Paper: Explorations of Light and Form

East City Art Reviews—Andrew Sovjani, Pages & Paper: Explorations of Light and Form

An exhibit of the work of Andrew Sovjani is on view at Calloway Fine Art in Georgetown and online. Sovjani is a magician, using his knowledge of physics and chemistry to create unique manipulated prints that incorporate painting and performative practices in their production. The results are both aesthetically remarkable and visually compelling. Read More
Reviews
East City Art Reviews—Degas at the Opéra: An Artist’s Journey

East City Art Reviews—Degas at the Opéra: An Artist’s Journey

Degas at the Opéra is an exhibition produced collaboratively by the Musée d’Orsay, Paris and the National Gallery of Art, Washington DC. Given its particular emphases, this broadly aimed exhibit will provide viewers with a yet fuller understanding of Degas’ artistic relation to the theater, and in particular to the ballet. After the long closure of the museum, the exhibit has been extended at the NGA, and is viewable through October 12, 2020 by reservation. Read More
Reviews
Plague Pictures or Art in Times of Pestilence

Plague Pictures or Art in Times of Pestilence

The massive toll that the current pandemic is wreaking is already affecting the art world. We thought it would be both interesting and appropriate to take a look back at the artistic response to widespread pestilences of the past. A simple look at art made during and after outbreaks of the plague in western Europe alone produces a huge and fascinating inventory. Read More
Reviews
East City Art Reviews—Dialog: Landscape and Abstraction—Freya Grand and the Permanent Collection of the Art Museum of the Americas

East City Art Reviews—Dialog: Landscape and Abstraction—Freya Grand and the Permanent Collection of the Art Museum of the Americas

Freya Grand does large scale landscape paintings. The key to understanding her work is to realize that her paintings are not so much descriptive of the places she visited to make them, but are about the experiences of being there. This exhibit pairs her work with abstract paintings by Latin American artists in the OAS/AMA collection. Read More
Reviews
East City Art Reviews—Looking In: Edward Hopper’s Hotel Interior Views

East City Art Reviews—Looking In: Edward Hopper’s Hotel Interior Views

Edward Hopper and the American Hotel is a major exhibition of paintings, watercolors, prints and never before exhibited drawings at the Virginia Museum of Fine Arts in Richmond. With a focus on Hopper’s representations of hotel interiors, it includes works that show Hopper’s extensive influence in this genre. Hopper’s works were designed to encourage the viewer to look in—even in cases where they’d rather not. Read More
Reviews
East City Art Reviews—Beyond the “Encuentro”: Printmakers from Medellín, Colombia

East City Art Reviews—Beyond the “Encuentro”: Printmakers from Medellín, Colombia

The first encuentro of printmakers in the city of Medellín in 2018 was the brainchild of Washington DC artist Felix Angel. From among the seventy in that show, Angel has selected eighteen artists for an exhibit at the International Development Bank Staff Association Art Gallery. The exhibit shows the diversity and richness of the printmakers currently living and working in the city of Medellín. Read More
Reviews
East City Art Reviews—Cianne Fragione Gate to the Sea

East City Art Reviews—Cianne Fragione Gate to the Sea

Works from a large series of paintings watercolors and prints by Cianne Fragione is on view at Gallery Neptune & Brown. They were inspired by a residency the artist had at Monasterace (Reggio Calabria) near the destroyed Greek town of Caulonia on the southernmost coast of Italy. Facing the Ionian Sea, ancient Caulonia is now an archaeological site reached through an iron gate and a flight of 50 or 60 steps down to the water—a gate to the sea. Read More
Reviews
East City Artnotes—Kirsty Little: Refuse? REFUSE 35B+

East City Artnotes—Kirsty Little: Refuse? REFUSE 35B+

The numbers are staggering. Americans use approximately 35 billion plastic bottles and containers each year. Since its invention, which completely transformed consumer culture, we have only increased our plastic footprint, particularly since major plastic production began in the 1940s and 1950s. We need to do something about this now, and Kirsty Little is trying to draw our attention to this inalterable fact by creating a work that calls the viewer to recognize the problem. Read More
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