Juliana Biondo

Archives for Juliana Biondo

Juliana is an internationally-oriented arts practitioner, currently based in Washington DC as the assistant curator at the World Bank’s Art Program. She is responsible for the oversight and exhibition of the Banks global contemporary art collection of approximately 5,800 objects, and management of their communications, and educational programs. Prior to her current role, Juliana worked in New York as an account executive at SUTTON, orchestrating domestic and international media strategies for gallery and museum clients. She holds a BA in the History of Art from Yale University, and an MA in 20th Century Art from the Courtauld Institute in London. With curatorial experience as a researcher for the exhibitions Caro: Close Up, and Art in Focus: St. Ives Abstraction, at the Yale Center for British Art, and Pre-Raphaelites: Victorian Avant-Garde at the Tate Britain, and educational engagement experience as the project manager for the Vatican Museums first ever app Patrum, and tour guide for international patrons, Juliana brings an international flair to her art criticism, looking at both the conceptual and formal questions facing the contemporary art world today. Juliana is fluent in Italian, a painter herself, and enjoys both the academia and fun of all things cultural. A previous volunteer for Culture for One, and painting teacher for Project Art, Juliana now sits on the junior board of the Phillips Collection.

East City Art Reviews: No Spectators: The Art of Burning Man

East City Art Reviews: No Spectators: The Art of Burning Man

Bringing a counter-cultural movement into the mainstream, The Renwick Gallery of the Smithsonian American Art Museum presents No Spectators: The Art of Burning Man to DC audiences in a traditional museum setting. However, as the museum experience becomes reconfigured with viewers becoming participants, does the value of work then change? Read More