By Claudia Rousseau, Ph.D. on January 4, 2022

East City Art Reviews—Helen Frederick SANJEEVANI: From Here to There

An impressive retrospective of the work of Helen C. Frederick is currently on view at the Terzo Piano Gallery. Curated by the artist and gallery owner Giorgio Furioso, it tracks the artist’s trajectory over five decades. This long and extraordinarily productive career is represented by works on and of paper expressing crisscrossing themes fundamental to her thinking.

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By Eric Celarier on December 13, 2021

East City Art Reviews—Jean Sausele-Knodt Recent Animations

Jean Sausele-Knodt’s collection of dynamic assemblages, Recent Animations at Fred Schnider Gallery of Art, creates amalgamations of hand-cut pieces of wood, concrete, steel, and embroidery that bind disparate elements into dynamic arrangements. Intensely personal, these works make sense of the fragmentation she sees in the world.

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By Sarah McGavran, Ph.D. on December 7, 2021

East City Art Reviews—Olivia Tripp Morrow Body, Joy, Cage, Scar

The works in Olivia Tripp Morrow’s solo exhibition build upon her experiences before and after major spinal surgery to explore broader themes of adaptation, persistence, resilience, and even joy.

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By Claudia Rousseau, Ph.D. on November 30, 2021

East City Art Reviews—Alma W. Thomas Everything is Beautiful at The Phillips Collection

Coinciding with its centennial anniversary, the Phillips Collection is hosting a retrospective of paintings by Alma W. Thomas. The show is fully contextualized with archival materials and objects.

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By Eric Celarier on November 2, 2021

East City Art Reviews—Wayson R. Jones In Shades

In Wayson R. Jones’ current exhibit In Shades at Portico Gallery, the artist documents the most recent chapters in his study of value. There is something fundamental about black and white media, making it especially appropriate for describing foundational truths.

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By Claudia Rousseau, Ph.D. on October 26, 2021

East City Art Note—Maryanne Pollock Rebirth the Earth

Without a doubt, the most interesting and arresting painting in the current solo exhibit of recent work by Maryanne Pollock is her Rebirth the Earth (2021), also the title of the show. Against a black background that appears cosmic, explosions of aqua, blue and white acrylic burst forward, along with translucent orbs that seem to be in a state of formation.

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By Claudia Rousseau, Ph.D. on October 19, 2021

East City Art Reviews —Clouds, Ice, and Bounty: Dutch and Flemish Paintings at the National Gallery of Art

An exhibition of seventeenth-century Dutch and Flemish paintings acquired by the National Gallery of Art through the Lee and Juliet Folger Fund over the past 25 years is now on view in the Dutch and Flemish Cabinet Galleries there. These spaces aim at emulating the domestic environments for which works like these would have been made, and to provide a sense of this for the contemporary viewer.

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By Claudia Rousseau, Ph.D. on October 4, 2021

East City Artnotes—Wayne Paige Changing Landscapes

Wayne Paige’s current exhibit, Changing Landscapes: The Digital Age, Encroachment, and Eventual Outcomes, aims at exposing the dangers of the lure of the digital to those who have never lived in a world without cell phones and computers.

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By Claudia Rousseau, Ph.D. on September 17, 2021

East City Art Reviews—Anne Marchand Moments of Grace

Eight abstract paintings by DC artist Anne Marchand are now on view at the Silva Gallery. The new exhibition space was the result of a collaboration between Latela Curatorial and the Silva DC, a new apartment development in Adams Morgan opened with the intention of providing new opportunities for local artists in the Washington DC region.

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By Claudia Rousseau, Ph.D. on September 15, 2021

East City Art Reviews—Trawick Prize 2021

The nineteenth iteration of the finalists of the Trawick Prize for Contemporary Art is now on view at Gallery B in Bethesda. The work in this exhibit falls into two distinct categories: reflections on identity and heritage, and meditations on nature and climate change. Of the eight artists exhibited, six fall into the former, with two in the latter.

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By Claudia Rousseau, Ph.D. on August 12, 2021

East City Art Reviews—DC Abstraction Shines at Pazo Fine Art

Colors of Confidence, the current exhibit at the relatively new Pazo Fine Art gallery (PFA) in Kensington, MD shows a small but powerful group of ten works by eight DC abstract painters, three of them major names from the Washington Color School: Tom Downing, Howard Mehring and Paul Reed.

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By Claudia Rousseau, Ph.D. on August 2, 2021

East City Art Reviews—9 Artists / 9 Months / 9 Perspectives: Birth of 2020 Visions

Pyramid-Atlantic is hosting an exhibition of the work of nine African-American women artists who participated in a collective project variously titled Project 2020 or 2020 Visions. For it, each conceived an artist’s book that would express her experiences through the difficult and tumultuous times through which we have lived over the past year and a half.

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By Claudia Rousseau, Ph.D. on July 9, 2021

East City Art Reviews—Erik Thor Sandberg’s New Drawings: Art Historical Reflections

A small portfolio of new drawings by painter Erik Thor Sandberg is now available for viewing at CONNERSMITH Gallery. There are only five of them in this group, but they are arresting and memorable both for Sandberg’s amazing draftsmanship and their fascinating iconography.

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By Claudia Rousseau, Ph.D. on June 28, 2021

East City Art Reviews—Three to See at Studio Gallery: Gary Anthes, Carolee Jakes and Harriet Lesser

For their June-July schedule, Studio Gallery is hosting a show of work by photographer Gary Anthes and multi-media artist Carolee Jakes in the upper gallery with new photo transfers by Harriet Lesser stands in the lower gallery space. All three shows address themes of transience, impermanence and the inevitability of change.

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By Claudia Rousseau, Ph.D. on June 15, 2021

East City Art Reviews—The 2021 Bethesda Painting Awards Finalists’ Exhibition

The annual Bethesda Painting Awards have been decided, and the exhibition of selected works by each of the eight finalists is currently at Gallery B in Bethesda. A point of interest this year is the fact that nearly all the paintings in this show are figurative to a greater or lesser degree.

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