Smithsonian American Art Museum Presents Tiffany Chung Vietnam, Past Is Prologue

By Editorial Team on March 12, 2019
Image credits:
Tiffany Chung, Reconstructing an Exodus History: boat trajectories in Asia, 2017, acrylic, ink, and oil on drafting film, Courtesy the artist and Tyler Rollins Fine Art, New York. © Tiffany Chung
Tiffany Chung, The Vietnam Exodus History Learning Project: the exodus, the camps and the half-lived lives, 2017, watercolor on paper, Courtesy the artist and Tyler Rollins Fine Art, New York. The Vietnam Exodus History Learning Project is carried out in collaboration with Hồ Hưng, Huỳnh Quốc Bảo, Lê Nam Đy, Nguyễn Hoàng Long, Đặng Quang Tiến, Phạm Ái, Võ Châu, and Hoàng Vy. © Tiffany Chung
Tiffany Chung, Operation Lam Sơn 719, 30 Jan.–6 April 1971, 2018, acrylic, ink, and oil on vellum and paper, Courtesy the artist and Tyler Rollins Fine Art, New York. © Tiffany Chung

 

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Opening: Friday, March 15
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Internationally acclaimed artist Tiffany Chung (b. 1969, Đà Nẵng, Vietnam) is known for her multimedia work that explores migration, conflict and shifting geographies in the wake of political and natural upheavals. Chung’s new exhibition at the Smithsonian American Art Museum, “Tiffany Chung: Vietnam, Past Is Prologue,” probes the legacies of the Vietnam War and its aftermath through maps, videos and paintings that highlight the voices and stories of former Vietnamese refugees. Through this work, Chung documents accounts that have largely been left out of official histories of the period and begins to tell an alternative story of the war’s ideology and effects. A centerpiece of the exhibition is a new series of video interviews with former Vietnamese refugees who live in Houston, Southern California and Northern Virginia that was commissioned by the Smithsonian American Art Museum.

“Vietnam, Past Is Prologue” is on view from March 15 through Sept. 2. The exhibition is organized by Sarah Newman, the James Dicke Curator of Contemporary Art. The museum is the sole venue for this exhibition. The installation is presented in conjunction with the exhibition “Artists Respond: American Art and the Vietnam War, 1965–1975” that is on view at the same time.

“This spring, SAAM presents two exhibitions that probe how American art and the America we know today was shaped by Vietnam,” said Stephanie Stebich, the Margaret and Terry Stent Director at the Smithsonian American Art Museum. “Tiffany Chung’s complex and thought-provoking work brings the story of the Vietnam War and its aftermath to the present day, challenging many of our visitors to rethink what they know about that chapter in American history.”

“Tiffany Chung questions what we know about the Vietnam War,” said Newman. “She explores the malleability of memory and the foreignness of the past and questions how we understand history as much as its agreed-upon facts. Although her research illuminates previously unknown facts and stories, we come away ironically comprehending less while understanding more.”

“Tiffany Chung: Vietnam, Past Is Prologue” makes visible a history hidden in plain sight for the past 45 years. Her subject, the War in Vietnam (1955–1975), has achieved a nearly mythic significance in the United States. In Vietnam, “the War” devastated life as it had been known, dividing time into a “before” and “after.” Yet missing from the narratives told by these two sides is the perspective of the South Vietnamese, on whose behalf the Americans entered the war.

Through meticulously drawn and stitched maps, emotional interviews and intensive archival research, Chung explores the experience of refugees who were part of the large-scale immigration during the post-1975 exodus from Vietnam. She begins with a fine-grained look into one person’s story—that of her father, who fought for the South Vietnamese military during the war, widens out to encompass the stories of former refugees from Vietnam and pulls out further still to show the global effects of their collective migration in the war’s wake.

The exhibition is presented in three galleries. A single work, “Remapping History: an autopsy of a battle, an excavation of a man’s past” (2015/2019), in which Chung diagrams her father’s story with 13 handmade maps, archival materials, photographs and texts, is installed in a single gallery. A second gallery includes 21 interviews shown on 12 video monitors and “Recipes of Necessity” (2014), a video that captures a conversation among Vietnamese who stayed in Vietnam following the war interspersed with scenes of a dance inspired by their stories that is choreographed and directed by Chung. A third gallery displays two handmade maps, reproductions of United Nations archival documents and 15 watercolor paintings from “The Vietnam Exodus History Learning Project”—a collaboration with Hồ Hưng, Huỳnh Quốc Bảo, Lê Nam Đy, Nguyễn Hoàng Long, Đặng Quang Tiến, Phạm Ái, Võ Châu, and Hoàng Vy.