von ammon co. Presents Julia Wachtel and Wendy White Airlok or Gazing Into the Void

By Editorial Team on February 1, 2021

Sat, 06 February 2021 - Sun, 14 March 2021

Image courtesy von ammon co
On View: February 6 – March 14, 2021

von ammon co is pleased to announce its next project, Airlok or Gazing Into the Void, a two-person show by New York based artists Julia Wachtel and Wendy White. Each artist has assigned a title to her contribution to the exhibition: Airlok, by Wendy White, consists of three large-scale suspended mobiles made of dibond, aluminum and LED light; Gazing Into the Void, by Julia Wachtel, consists of five new paintings on canvas. The artists largely avoid the use of existing gallery wallspace to install work, and instead construct an ersatz labyrinth of drywall and wooden studs spanning various structural columns. While the two projects assert their distinction through their respective titles, the installation allows for each artist’s work to frequently overlap and communicate with the other as the viewer navigates the space.

Wachtel’s first-ever single-motif series depicts one repeated, serialized subject: a white man with his head in a hole. Drawing from various techniques of image appropriation, Wachtel either directly lifts the likeness of these men from existing photographs or as hand-painted depictions of drawn caricatures. This exceptionally particular image—of the white man hiding his face, either out of denial, shame, fear, or self-justification—attracts new sociopolitical associations daily, and at an overwhelming rate. Wachtel’s painterly project has sought to deconstruct the semiotics of media (both traditional and digital) and to reconstruct it within the language of painting. This has typically involved the juxtaposition of unrelated images to create synthetic effects of dark humor and critique. In this series, Wachtel concerns herself with only one recurring image, as a synthesis of opposites—the pathetic, pratfall figure is humorous in its clumsy, struthious oblivion; the implications that subtend this awkward stance are those of unspeakable existential horror.

Wendy White’s three new, monumentally scaled mobiles involve the index of visual archetypes that the artist has developed throughout the course of her career: examples include a vector image of a black rainbow, a heart shaped from chunky pixels, a rain or tear droplet. While vaguely familiar, these signs lack a clear referent, and hover in a non-logocentric space, wherein the particular anxieties of childhood, adolescence and adulthood intersect depending on the flow of air in the room or the viewer’s perspective. Like Wachtel, White is concerned with the reindexing of cultural semiotics and their subsequent reconstruction as simultaneously absurd, melancholy and fearsome art objects. As infantilization of the American consumer becomes an overt marketing strategy and as screens supplant real objects as the means to soothe a child, White’s sculptures straddle an in-between space: an abandoned realm of things on one side, and an uncertain future of virtuality on the other.

Airlok or Gazing Into the Void is the ninth project in its current location.


  • Friday – Sunday, 12pm to 6pm
  • and by appointment.

von ammon co is located at 3330 Cady’s Alley NW. Please email info@vonammon.co for additional information.